MOVIES
In this update of the ’80s TV fave, the title mercenaries try to clear their names after they’ve been framed for a crime they (of course) did not commit. Liam Neeson takes command as Hannibal Smith (George Peppard’s original TV role), while Bradley Cooper takes over as Templeton “Faceman” Peck. Jessica Biel, “District 9’s” Sharlto Copley and Quinton “Rampage” Jackson co-star; watch for original “A-Team” members Dirk Benedict and Dwight Schultz in cameo roles, but don’t look for Mr. T, who opted out. At multiple locations. (118 min.) PG-13; intense sequences of action and violence, profanity, smoking.
THE KARATE KID
Reviewed on Page 29.
THE SECRET IN THEIR EYES
This drama from Argentina, this year’s Oscar-winner for best foreign-language film, focuses on a retired investigator (Richard Darin) turned novelist, who’s haunted by — and decides to revisit — a brutal rape and murder case more than 25 years earlier. Soledad Villamil co-stars for writer-director Juan Jose Campanella, whose credits include such U.S. television hits as “House,” “Law & Order: SVU” and “30 Rock.” In Spanish with English subtitles. At Village Square. (129 min.) R; violent images (including a rape scene), graphic nudity, profanity.
ALREADY IN THEATERS
Movies are rated on a letter-grade scale, from A to F. Opinions by R-J movie critic Carol Cling (C.C.) are indicated by initials. Other opinions are from wire service critics.
THE BACK-UP PLAN
(C) A New York pet store owner (Jennifer Lopez) undergoes artificial insemination and immediately meets Mr. Right (Alex O’Loughlin), creating allegedly comic complications for the fated-to-be-mated couple in yet another disposable contrivance that tests our tolerance — and our patience. Unless you’re a fan of movies where you can predict the plot moves before they happen and recite the dialogue along with the actors, better find a back-up plan. (104 min.) PG-13; sexual content, crude references, profanity. (C.C.)
THE BOUNTY HUNTER
(D+) The ex-cop title character (smirking Scot Gerard Butler) gets the chance to bring in, and get back at, his ex-wife (Jennifer Aniston), a reporter who’s chasing a murder cover-up story — until everybody starts chasing them in an alleged action comedy that has little to offer besides some face-time with its handsome stars. And that’s not enough to redeem either the stars — or the movie. (106 min.) PG-13; sexual content including suggestive comments, profanity, violence.
CITY ISLAND
(B) Everybody’s got a secret in this beguiling indie, a slice-of-ethnic-life comedy set in the title Bronx fishing enclave, where a prison guard (a terrific Andy Garcia) with acting aspirations disrupts his already dysfunctional family even further after he brings home a young ex-con (“10,000 BC’s” Steven Strait). Julianna Margulies, Alan Arkin, Emily Mortimer, Ezra Miller and Dominik Garcia-Lorido (Andy’s daughter) round out the all-aces cast; writer-director Raymond De Felitta (“Two Family House”) balances quirky comedy and rueful human truths with heartfelt and infectious charm. (100 min.) PG-13; sexual content, smoking, profanity. (C.C.)
CLASH OF THE TITANS
(C) “Avatar’s” hunky, charisma-free Sam Worthington returns in a high-tech revamp of the campy 1981 extravaganza, as Perseus, the human son of Zeus (Liam Neeson), tries to prevent nasty Hades (Ralph Fiennes, having a blast) and his underworld underlings from spreading evil to the heavens — and Earth. Decent but forgettable digital effects, combined with and a disappointing 3-D conversion, make for a long, joyless slog. (118 min.) PG-13; fantasy action violence, frightening images, brief sensuality.
DATE NIGHT
(B-) On the town: When hapless New Jersey suburbanites (Steve Carell, Tina Fey) venture into Manhattan for a night out, they steal another couple’s reservation at an uber-trendy restaurant and find themselves plunged into intrigue and running for their lives. This comic thriller can’t quite decide whether it wants to be slapstick or satire when it grows up, but Carell and Fey’s terrific chemistry (along with Mark Wahlberg’s deadpan self-spoofery as a perpetually shirtless security expert) keep the chuckles coming. (88 min.) PG-13; sexual content, profanity, drug references, violence. (C.C.)
DEATH AT A FUNERAL
(B) Second life: Director Neil LaBute (“In the Company of Men”) and an all-star cast (led by Martin Lawrence, Chris Rock, Tracy Morgan and Danny Glover) breathe new life into the 2007 British farce about an extended family coming together for a funeral marred by elaborate hijinks. The key figure connecting both movies is Peter Dinklage, reprising his role as a diminutive mystery guest who shows up with a big secret; his return is a prime reason why “Death at a Funeral” surprisingly deserves resurrection. (92 min.) R; profanity, drug content, sexual humor.
DIARY OF A WIMPY KID
(B-) Get in touch with your inner wimp — and surrender to the impish charm of this adaptation of Jeff Kinney’s illustrated novel, about the misadventures of a middle-school misfit (irresistible smarty-pants Zachary Gordon) trying to survive a daunting rite of passage: sixth grade. This inventive comedy integrates Kinney’s witty drawings with live-action antics, presenting some painful — and painfully funny — life lessons in a movie that’s endearing child’s play for kids of all ages. (120 min.) PG; rude humor, profanity. (C.C.)
DINOSAURS 3D: GIANTS OF PATAGONIA
(B) If you like dinosaurs (who doesn’t?), you’ll love this 3-D documentary, which follows paleontologist Rodolfo Coria as he tramps the rugged wilds of southern Argentina, where remains of the largest dinosaurs in the world — including the 120-foot Argentinosaurus — have been discovered. The perfect blend of scholarly information and totally cool dinosaurs brought to vivid life. (40 min.) G; scary dinosaurs.
GET HIM TO THE GREEK
(C) This summer’s gross-out “Hangover” wannabe reunites “Forgetting Sarah Marshall” scene-stealers Russell Brand and Jonah Hill as, respectively, off-his-rocker rock star Aldous Snow and the low-level record company schlub assigned to escort him from London to a comeback L.A. concert, via New York and (inevitably) Las Vegas. Despite the satirical potential of its rock-music setting and the Brand-Hill team’s fart-with-heart humor, this latest model from producer Judd Apatow’s bromance assembly line just doesn’t have enough laughs to go the distance. (109 min.) R; strong sexual content and drug use, pervasive profanity. (C.C.)
THE GIRL WITH THE DRAGON TATTOO
(B+) Before Hollywood gets its hands on Stieg Larsson’s international best-seller, here’s the killer Swedish original (with English subtitles): a gripping thriller about a haunted goth computer hacker (the ferocious Noomi Rapace) who helps an investigative journalist (world-weary Michael Nykvist) solve a 40-year-old mystery. Even with subtitles, what happens is gut-punchingly clear: not pretty, but undeniably compelling. (152 min.) NR; violence and gruesome images, sexual situations, nudity, profanity. (C.C.)
HOT TUB TIME MACHINE
(C) Crazy ’80s: Three middle-aged buddies (John Cusack, Rob Corddry, Craig Robinson) who’ve had it with adulthood discover their own personal wayback machine when a ski resort hot tub transports them back to 1986 heyday, enabling them to settle old scores and mess with the timeline for personal profit. Alas, this dude-where’s-my-youth adventure is not so excellent; fitfully amusing, it’s mostly as lazy, self-involved and garish as the chintzy ’80s themselves. (100 min.) R; strong crude and sexual content, nudity, drug use, pervasive profanity.
HOW TO TRAIN YOUR DRAGON
(B) Up and away: In this sometimes exhilarating animated romp (especially in 3-D), a scrawny Viking teen wounds, then befriends a dragon he dubs Toothless, discovering that Toothless and his fellow flying terrors aren’t so terrifying after all. “She’s Out of My League’s” Jay Baruchel (Hollywood’s nerd du jour) and “Bounty Hunter’s” brawny Gerard Butler lead the vocal cast of an adventure that truly soars when human and dragon take to the skies. (98 min.) PG; sequences of intense action and some scary images, brief mild language. (C.C.)
IRON MAN 2
(C+) Billionaire superhero Tony Stark (Robert Downey Jr.) resists sharing his secrets with the military, forging new alliances — and confronting new enemies, from renegade Russian Ivan Vanko (gleefully rabid Mickey Rourke) to rival munitions maven Justin Hammer (a spectacularly smarmy Sam Rockwell). It’s always a kick watching Robert Downey Jr., but this sequel to the 2008 smash isn’t nearly as entertaining as its quirky, irresistibly smirky star. It assumes that more is better, but sometimes more turns out to be a bit of a bore. (124 min.) PG-13; intense sci-fi action and violence, profanity. (C.C.)
JUST WRIGHT
(D+) No slam dunk: A physical therapist (a bland Queen Latifah) falls for the NBA superstar (hip-hop star Common) she’s helping recover from a career-threatening injury in an overly familiar “Cinderella” variation overflowing with clichés, contrivances and stock characters. More’s the pity, because this cast (Paula Patton, Pam Grier and Phylicia Rashad co-star) and director Sanaa Hamri (“Something New”) deserve better. So do we. (111 min.) PG; suggestive material, brief profanity.
KICK-ASS
(B+) Kick in the pants: A geeky teen (Aaron Johnson) reinvents himself as a superhero — despite his total lack of superpowers — in a seriously, nastily violent adaptation of Mark Millar’s comic book series, which is utterly stolen by Chloe Grace Moretz (“500 Days of Summer”) as the masked, purple-wigged 11-year-old vigilante Hit Girl. She embodies the movie’s satirical attitude toward the excesses of superhero flicks — and the very real consequences of Hollywood’s slavish devotion to cartoon action. (117 min.) R; strong brutal violence, pervasive profanity, sexual content, nudity and some drug use — some involving children.
KILLERS
(D+) After a whirlwind vacation romance and marriage, a new bride (Katherine Heigl) returns home to start her life with her husband (Ashton Kutcher) and discovers his past life — as a spy — when contract killers come gunning for them. This brain-deadening collision of high concept and low standards reunites Heigl with “Ugly Truth” director Robert Luketic, and the result is just as ugly; whatever germ of an idea exists is quickly killed by witless writing and migraine-inducing direction. (105 min.) PG-13; violent action, sexual material, profanity.
LETTERS TO JULIET
(C) Return to sender: In Verona, Italy, an American tourist (“Dear John’s” Amanda Seyfried) finds a 50-year-old letter — and writes a reply to the once-lovelorn correspondent (Vanessa Redgrave), who arrives, accompanied by her skeptical grandson (Christopher Egan), to search for her long-lost flame (Redgrave’s real-life husband, Franco Nero). The scenery’s lovely, and so is the graceful Redgrave, but everything else is so gooey and predictable it can’t help but turn the movie’s potential charm into undeniable smarm. (105 min.) PG; brief rude behavior, profanity, incidental smoking. (C.C.)
MACGRUBER
(C+) It’s “Saturday Night Live” at the movies once again with a feature version of the recurring skit about the gadget-happy, disaster-prone title agent (Will Forte), who’s called back to duty when his longtime nemesis (Val Kilmer) threatens Washington, D.C., with a stolen nuke. Fellow “SNL”-ers Kristen Wiig and Maya Rudolph join Ryan Phillippe and Powers Boothe for a comedic romp that rarely rises above the potty-joke level. But at least Forte and Co. make lewd ’n’ crude dunderheadedness laugh-out-loud funny in fits and starts — which is more than you can say for some “SNL” movies. (99 min.) R; strong crude and sexual content, violence, profanity, nudity.
MARMADUKE
(D+) Life’s just beachy for the title Great Dane (voiced by Owen Wilson) when his family (Lee Pace, Judy Greer) moves from Kansas to sunny Southern California, setting the stage for comic mischief in this live-action romp featuring the voices of (among others) Kiefer Sutherland, George Lopez, Christopher Mintz-Plasse, Steve Coogan, Marlon Wayans, Sam Elliott and Stacy Ferguson (better known as Fergie). Despite a clever nugget of an idea — the dog park as a canine version of high school — the groan-inducing puns, seriously cheesy green-screen effects and hokey, feel-good ending make this torment for anyone over 7, and they deserve better. (95 min.) PG; rude humor, profanity.
A NIGHTMARE ON ELM STREET
(C) Play it again, Freddy: In a needless do-over of the long-running horror fave, teens on the title street (Kyle Gallner, Katie Cassidy and Rooney Mara among them) keep having the same killer nightmare — featuring razor-fingered fiend Freddy Krueger (“Shutter Island’s” Jackie Earle Haley, who inherits the role created by Robert Englund). Haley’s somebody who can really act — and be deeply creepy, as evidenced by his Oscar-nominated “Little Children” performance, but here he’s smothered by the special-effects makeup, the distorted voice and the cheesy puns. And while a shred of Wes Craven’s original concept remains intact, the novelty has long since worn off; what’s left is cheap, generic scares. (97 min.) R; strong bloody horror violence, disturbing images, terror, profanity.
OCEANS
(B+) The vanishing wonders of the aquatic world — from fish that look like anything but fish to frolicking otters and a newborn walrus pup — populate this stunningly beautiful nature film. “Winged Migration” directors Jacques Perrin and Jacques Cluzaud shoot and edit this documentary like a fictional feature, building palpable emotional connections (bring tissues) as narrator Pierce Brosnan reminds us that all this majesty is in danger. (100 min.) G; all ages.
PRINCE OF PERSIA: THE SANDS OF TIME
(C) In ancient Arabian-nights territory, the rascally title character (an earnest, pumped-up Jake Gyllenhaal) and a rival princess (ornamental Bond girl Gemma Arterton) run for their lives, hoping to keep a magical dagger from falling into villainous hands. This video game-inspired adventure lumbers rather than rollicks, thanks (or no thanks) to its emphasis on computer-generated effects, extended action sequences and hammy overacting (from, among others, Ben Kingsley and Alfred Molina). I want my “Mummy” — or my “Raiders of the Lost Ark” — or any of the other, better movies “Prince of Persia” recalls. (116 min.) PG-13; intense sequences of violence and action. (C.C.)
PRINCESS KAIULANI
(C+) The title Hawaiian (“The Lost World’s” gifted Q’orianka Kilcher) returns from exile in Victorian England to fight for her homeland’s future in this 19th-century historical drama, which tries to make sense of the politics of the period (Barry Pepper and Will Patton play the U.S. boosters) despite the fact that the filmmakers are clearly more interested in dramatizing a doomed love story between the princess and her English beau (Shaun Evans). As a result, this all too often plays like a condensation of a miniseries — which it is, in a way, considering 30 minutes have been cut from its original running time. (100 min.) PG; some violence and thematic material, brief profanity, sexual references, smoking.
RAAJNEETI
(C) In this Bollywood political drama (reportedly inspired by India’s ancient Sanskrit epic, the Mahabharata), power struggles and scandals mark a fiercely fought election campaign. Naseeruddin Shah, Arjun Rampal, Nana Patekar, Ranbir Kapoor, Katrina Kaif and Ajay Devgan star for director Prakash Jha. With its large cast of characters and wealth of subplots, this is often a mess, but at least it’s an interesting one, full of romance, intrigue and fraternal strife — but ultimately too diffuse to score political points or have much impact. In Hindi. (158 min.) NR.
ROBIN HOOD
(B-) Not so very merry: Russell Crowe reunites with his “Gladiator” (and “American Gangster”) director, Ridley Scott, for a sweeping, yet not quite stirring origin tale — one that doesn’t completely scale the heights to which it (and they) aspire. Despite a top-chop cast (including Cate Blanchett as a forceful Marian, William Hurt and Max Von Sydow as noble nobles and Mark Strong and Oscar Isaac as venal villains), Crowe’s straight-arrow “Robin Hood” is more like Gladiator (in the) Hood — a far cry from the impudent, irreverent, irrepressible (and utterly irresistible) rogue of Sherwood Forest we’ve come to know and love through a century of cinematic derring-do. (140 min.) PG-13; violence, including intense combat sequences, and sexual situations. (C.C.)
SEX AND THE CITY 2
(D) Sex and the pity: Carrie Bradshaw (Sarah Jessica Parker) and BFFs Samantha (Kim Cattrall), Charlotte (Kristen Davis) and Miranda (Cynthia Nixon) trade the sidewalks of New York for the sands of Abu Dhabi on an all-expenses-paid luxury jaunt — but the sudden appearance of Carrie’s former flame Aidan (John Corbett) complicates matters for the current Mrs. Big, whose Mr. (Chris Noth) is back home in Manhattan. Smug, self-indulgent and tone-deaf, this trip to nowhere — except bad-movie hell — drives a stake through the heart of a once-beloved franchise that deserved a more dignified death. (146 min.) R; strong sexual content, profanity. (C.C.)
SHREK FOREVER AFTER
(C) It’s not easy being green: The fourth (and, we hope, final) chapter of the fractured fairy-tale cartoon saga strands the restless title ogre (voiced by Mike Myers) in a twisted version of Far Far Away ruled by the unruly Rumplestiltskin (voiced, with frustrating flatness, by story editor Walt Dohrn). Not the worst “Shrek” sequel (that would be 2007’s “Shrek the Third”), this nevertheless confirms that the franchise is long past its sell-by date; even the 3-D effects and the hilarious vocal stylings of Eddie Murphy’s Donkey and Antonio Banderas’ Puss in Boots aren’t bright enough to lighten the prevailing been-there, seen-that mood. (93 min.) PG; mild action, rude humor, brief profanity. (C.C.)
SPLICE
(C+) Two cocky scientists (Adrien Brody, Sarah Polley) defy legal and ethical boundaries to conduct a dangerous experiment — splicing together human and animal DNA to create a new organism, with horrifying results. This “Frankenstein”-style chiller from director Vincenzo Natali (“Cypher”) is pure potluck — a pinch of braininess, a bit of gothic terror, a morsel of gross-out horror, a touch of kinky sex fantasy. And while the parts don’t always fit that gracefully, the occasional bolts-in-the-neck crudeness is offset by wicked humor, really cool effects and a fair number of genuine scares. (110 min.) R; disturbing elements including strong sexuality, nudity, sci-fi violence, profanity.
