There’s “Follies,” and then there’s folly. The first is a winning revival of Stephen Sondheim’s musical that wowed Broadway this season. The other is how you can characterize any attempt to handicap today’s Tony Awards,
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At a bit past 1:30 Saturday morning, tens of thousands of bare-chested dudes, bikini girls and costumed fruit items of both sexes jostled for space as DJ-producer Kaskade took to the main stage during the first of three days of the Electric Daisy Carnival, a cocoon of light and sound where audio and visual stimuli came from every direction.
Frog heads. Fire hats. Cat tails. Tutus. A pink octopus. A giant chrome skull. Mosquito-head bicycles. A winding exoskeleton on wheels. And in the middle of it all a white living room?
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